They can inspire us to empathise with other species and show the complex interconnections of life on Earth. They can remind us of what’s on the verge of extinction and engage us with the importance of conservation.
As a wildlife cameraman it’s my obsession to capture the atmosphere of a place and to get to the soul of a film’s protagonist. Time in the field is the essence to create something meaningful. That’s why I love to work on longterm projects and month-long shoots.
I want the audience to get deeply immersed into a film. Images with an organic feel and in the best case a painterly quality are therefore of utmost importance. Analogue film is still my gold standard of aesthetics but the practicability of the ARRI ALEXA 35 has made it my latest tool of choice.
My own equipment is crucial for my work. It’s custom-adapted to my needs and allows me to work intuitively even in the harshest conditions.
Take a closer look at my work in the field.
They can inspire us to empathise with other species and show the complex interconnections of life on Earth. They can remind us of what’s on the verge of extinction and engage us with the importance of conservation.
As a wildlife cameraman it’s my obsession to capture the atmosphere of a place and to get to the soul of a film’s protagonist. Time in the field is the essence to create something meaningful. That’s why I love to work on longterm projects and month-long shoots.
I want the audience to get deeply immersed into a film. Images with an organic feel and in the best case a painterly quality are therefore of utmost importance. Analogue film is still my gold standard of aesthetics but the practicability of the ARRI ALEXA 35 has made it my latest tool of choice.
My own equipment is crucial for my work. It’s custom-adapted to my needs and allows me to work intuitively even in the harshest conditions.
Take a closer look at my work in the field.